(Q) In the incarnation as Xera, give exact place and date,
and description of my life.
(A) As given, in the isles in or about the land was the
greater portion of the experience lived or enacted during
that experience. The study of the associations of self with
those that made for much of the figures, that represented the
various forms of expression of individual ideas or ideals, in
cast, in marble, in the elements that were used in same in
the period, occupied that of the developing portion of the
entity's experience. Hence the abilities of the entity to
interpret, or for figures to mean more than ordinary to the
entity in an attempted interpretation of same BY the entity,
of that attempted to be depicted or pictured, or acted in the
entity's inner self creating same by the entity in the study
of same. As the entity with, and as still may be seen, some
in the isle that were of portions, or figures of the entity
Xera in that experience, associated with one in that
experience that made much of those that have recently been
found, especially in the COLORED figures, or red and brown
stones, that have been found more RECENTLY in this isle.
These the work of Ponticellie [?]. This WHOM the entity
associated with, and whom the entity may be the more CLOSELY
associated in some of the arts in this particular experience.
(Q) That was the sculptor for whom the entity was a model?
(A) Associated with, yes - and a model.
(Q) What city, and what date? [Ques. suggested by Hugh Lynn
Cayce.]
(A) Look it up and see! Where those have been the most
recently found in the isles off the coast of Greece, where
these were carried on, in the interpretation of the art of
the period. As to time, from what dates shall we measure?
The present, the central date at that period, or that set a
period later? Before the CHRISTIAN era or A.D., two
ninety-eight (298). Before the overflow from those of the
period that registered in this particular portion of the land
at that time, nine ninety-seven (997). Crete the name of the
place THEN. Cypree (?) later. Present Saline (?).
(Q) With whom was I when I was among those who participated
in the study of statuary?
(A) As WITH those as indicated, see?
(Q) Where and how can I best learn to be an interpreter of
artiste's expression of statuary?
(A) By being alone and by becoming introspective, with such
IN the PRESENCE OF self - see? Would one understand that
which impels, or acts as an incentive for the awakening of
those elements that are of a spiritual nature in their
inception, and become introspective - not retrospective, but
introspective - of self, in such environs, under such laws or
such activities that show for the greater action upon that
character or piece of statuary, or figure being studied, this
MUST of itself gradually AWAKEN that as would make for a
REMEMBRANCE within self, and the abilities for these to mean
more and more to self in the present. The same manner as ANY
art, as music, as painting, as song, as decorations, as
figures, as architectural design, as any color that partakes
of such elements, these may only be INCENTIVES that AWAKEN
those elements of the nature in an entity's INNER being; for
all such make their inundations (?) [indentation (?)
incantation (?)], even as is SYMBOLED in the wax of your
phonograph.
(Q) Have I any karma from this incarnation?
(A) As these are awakened there may be seen that there are
those conditions in which WILL must be used, keeping self
well balanced. The karma is indicated in that given.
(Q) In the incarnation as Zangrill, give exact place, date,
and birth?
(A) That in the land called the INTER-BETWEEN of the Hun and
the French, or that of the Rhine land - and in those
DIVISIONS of the land.
We are through for the present.
Copy to Self
Copy to File
Copy to Ass'n
BACKGROUND
10/13/30 She obtained Life Rdg.
275-11, & subsequently
275-19, 275-22 &
275-23 answering questions about former
incarnations.
