The Grecian-Roman period, as we find, was in that period from
four twenty-one to three hundred (421 to 300) [B.C.]. In the
experience the entity was known as Belda. In the activities
we find as that indicated in the present, of the sagacity,
of the quick wittedness of the entity, the abilities for
those tendencies in the play or role acting. The entity, as
indicated, was born in the household then of one Arstriad,
who was of the guard that made up those peoples that were
under the direct order of those in power. The entity, with
the advantages of those of position, or by power of birth,
had the OPPORTUNITIES for the expressions under one Xerlon,
[See
349-15, Par. 14-A, 15-A] who was of those that might be
termed the expression teachers of that period. The entity
advanced as one in minor roles with the play actor that rose
to high position, in the name then of Xterites, [See
349-15,
Par. 14-A, 15-A] that later founded that which developed into
the Parthenon, or those buildings for the DEVELOPMENT of
those roles of individuals who through their expressions or
acting brought the Grecian period of play, song, and -
later - dance. The entity developed in this environ to one
well in favor with many of those that considered such as a
gift of value, and later became one of those in the ROMAN
presentation of those that made for the arena development for
the RULERS of the period. See? Hence in the present, as has
been given, there may be that development for the entity -
through expression, or acting - to those that have become in
the role of the acting for the cinema, for the speech-making,
especially. In the role of the Spanish, as known in the
present (See, we have reached up some twenty-one hundred
years!), or Mexican, or the Spanish-American type. As we
find, first the development should be either in minor roles,
or the better training in those who take MANY roles in
the acting in SUCCESSIONS: as those that may be termed that
barn storm, or those that make successive weeks or months of
acting in the various sectors or sections of a country.
Then from this advance to that of the cinema activities,
that will come WITH the developments; so that in the next
two to five years there should be brought a MATERIAL success,
and in the advance - if the body will KEEP ideals, rather
than the aggrandizing of self's own interest - there may be
brought to those to whom this acting or these roles may be
presented, phases in human experience that are FOR
advancement. Then, these will bring developments in many
directions.
(Q) What should the stage name be?
(A) Choose it! [See 349-9, Par. R2.]
(Q) Whom was I associated with in that period who might be
of help to me now in getting into the movies?
(A) Those that have been given! Read it! Here it is!
(Q) Have I made progress in the right direction in my
studies since October with Bertha Kunz and Minna Phillips?
(A) These are very good; but now we need some heavier
acting, or some of the more MASCULINE reactions with same
now.
(Q) Shall I continue my studies with both or should I make
a change, and if so, which one?
(A) As indicated, seek out through or from these same
channels that which will bring in more of the association
of the masculine activities.
(Q) Should I arrange to study with Beverly Sitgreaves in
addition to both these teachers -
(A) (Interrupting) Leave off one and study with Beverly
Sitgreaves; for THIS entity, as has been indicated by the
information that has been given, was one of those who aided
materially in the developing in that period, from which
there is so much received in the present activities, or
innately and actively in the forces of the body.
(Q) With whom should I study grace and rhythm in order to
coordinate speech with movement so essential in
motion-picture work before the camera?
(A) It isn't the camera that's to be approached first!
Rather that known as the groups, or some stage play-acting
in minor parts, to be sure, at first - but the necessary
training and development, and grace, and activities, will
come with same! Not as choruses, no! but as acting!
(Q) Is there any particular or peculiar technique of
motion-picture screen work that I should be warned of at this
time so I that I can study it?
(A) This has been outlined, as to what characterizations or
picturalization will be the better advantage for the
activities of the body! So find those along those lines!
(Q) Through whom can I make the approach to Murray Roth,
Supervisor at -
(A) (Interrupting) It isn't to go through this first!
These will come after at least two or three months, or six
months, or eighth months, of ACTING with those in those parts
- as to make for ROAD work! See?
(Q) In what way can I achieve originality in the movies?
(A) By following that which has been outlined! Now you have
a whole lot to do! Let's commence with it! Then we may give
more! We are through with the present.
Copy to Self
Copy to File
Copy to Ass'n
BACKGROUND
See Life Rdg.
349-1 on
4/21/26, then
349-8 on
9/07/31 which
suggested another incarnation, the Grecian-Roman, influencing
her now.
1/18/32 She submitted questions.
REPORTS
2/08/32 "My rdg. was wonderful and helps tremendously. I
feel now I am on the right track and know how to go on from
here."
2/17/32 "Would Carla Carlova be a good professional name?"
[See
349-10, Par. 16-A, 17-A on
5/04/32.]
See subsequent readings.
12/06/32 "I'm going to try to arrange for a check physical,
as well as a general reading and find out why these things
happened, and when the end of this particular phase will be,
so I can start out on the work I want to do. Why do you
suppose the last reading gave that, when I thought that the
time was fast approaching, if not actually here, when I could
get started in the other. [See
349-12, Par. 20-A on
10/28/32
telling her to continue to work for Mr. [
257].]
"Gladys, do you think I will ever be able to get into it?
Sometimes I doubt, but I know the readings have always told
me I could and would, but my accident and illness, and then
the reading, seem to make me feel that perhaps I never will.
"...Bellda Farrar? How about it?"
5/23/33 EC's ltr. following Edgar Cayce Foundation dinner in
NY, preparations for which Miss [
349] had been helpful in
making, with her employer, Mr. [
257], and others:
"Just to say thank you again! I am still hoping that you
found the evening worth while, not only because of the
feelings you have for me and for the work presented by the
Association, but because of your meeting with the people
there. I trust it brought the reward for the time and
trouble I know you gave in making this meeting a success.
All can say what they will, I know who to thank for a great
deal that was done. I hope you don't find it too much of a
burden to keep this up from time to time; for I've always
realized a great deal of the success of this organization
depends on those who take the time and trouble to do the
actual work, as well as the planning for the various things
that may come from time to time. You remember there's
something in the Good Book that says, "A word fitly spoken is
like apples in pictures of silver." [Pr. 25:11] And you
know how to speak those words, you know how to present them,
you know how to present the ideals of this work in a very
unselfish way and manner.
"I know it pleased you to hear a lot of nice things said
about me. I'm vain enough to feel that you think a lot of
me, and I appreciate it - and I want you to know it. I want
you to know, too, that any of those whom you may at any time
interest in the work of this organization will receive the
same attention as if they were presented by Mr. Roosevelt
himself. I think you know that, but I'm telling it to you
again.
"I don't know whether you'll have the chance to come down
this summer, or whether you are making your plans to do
some work elsewhere to carry on the things you want to do
- and that are so close to you; but know that we would love
mighty well to have you come if you can find it possible in
your planning for the summer.
"We had a very nice trip home. I was a little bit tired, but
we were able to be at the group meeting last evening and to
begin our regular work this morning.
"Thank you again. I trust you will drop us a line at every
opportunity. With love from every one here, I am"
Ever the same, [
349]
EC:GD
5/29/33 Letter from Miss [
349] to EC:
Dear Judge:
"One of the nicest things that has ever happened to me - and
considering late conditions, the very nicest in a long time -
was to get your beautiful letter. You can't possibly imagine
how it made me feel! I am going to frame it so I will always
have it because it will do ever so much to making me feel
happier. Things are getting to be so bad for me - as you
can see by the questions I am sending to you - and I feel
that this is the time for me to have a reading.
"I am also sending you the request for a life reading on
[sister [
352]]. That, I feel, should be a very interesting
reading.
"Am also sending you a check for $10.00 for the two readings,
which I hope is all right.
"I'll write you again more at length after I get the reading,
and I hope you can get them both soon.
"There is so much I want to say and would like to say, about
your letter and how it affected me - but I cannot. That it
came to me, unsolicited, means so much more, and maybe some
day I will be in a position to show you how much it means
to me.
"I hope you and your family are well and happy, and with
much love to you all, believe me."
Ever so sincerely, [
349]
6/06/33 See
349-13, about her health, her life and work.



Edgar Cayce Readings © 1971, 1993, 1994, 1995 by the Edgar Cayce Foundation