Upon each side of the altar, about an equal distance between
the altar and that which would be indicated by the
astrological symbols, put: on the left, the priest in
priestly robes, blessing a figure kneeling in front of him.
No face of the priest would be shown; for this would be
turned almost to the rear view of the priest, while the
kneeling figure would indicate the individual receiving
instructions and blessings from the priest, see? The robes
of the priest would be blue-gray, with the hooded portion
back from the head, while about the waist would be a cord of
gold color, with a purple tassel - or one of the tassels -
showing. The sandals would be of papyrus or woven grass.
The robe of the kneeling figure would be in white (this also
a robe, you see), with a band about the neck or throat in
blue, not too dark, and the bare feet, or at least one or
both showing. The hair would be very dark, or black, while
the color of the feet, the face and hands would be rather
ruddy; not too white but not black.
On the right side of the altar (and these should be balanced)
would be depicted in the distance the Temple of Beauty, or
Temple Beautiful. This would be indicated by the seven
pillars, with the star on the central pillar; and a figure in
the foreground faced or turned towards same - in the dress of
the figure kneeling on the other side.
On the left of this figure indicate the sign of Mercury, in
green and gold; while the manner of activity would be
depicted in Leo - four in number - small and black, - these
above and below and upon each side.
Upon the right put the sign of Venus, in green and blue, or
green shaded with blue. About this put the symbol of Aries,
or the ram, - four in number, small and black.
These would indicate the place, the activity, the attainment;
and the manner of attainment - mind and love, as indicated by
the symbol of the astrological aspects of the entity's
activity.
Above this (and all of these vignetted; not in circle or oval
lines) put the Master with the gray robe, the beard scant,
the hair - not red nor yet golden, but as of reddish golden
- blessing or healing the woman with the issue. This
figure, of course, would be much more mature than the one
indicated in the scenes below, but would be depicted as a
very thin or pale individual, with very dark eyes and hair -
and a robe of gray and purple, or the bands about same purple
while the robe would be in the lighter gray. This would
indicate the period, or the healing of the Master of the
woman in the throng who touched the hem of the garment.
Hence the figure should be kneeling upon one knee and
reaching for the hem of the Master's robes, - and He turned
as to the left to encounter the figure kneeling, see? Other
figures should be in the background, but this should be the
main, central figure. [See
1353-1, Par. 36--41 woman
healed.]
Indicate upon each side of these slender crosses, - in white;
but by the side, at the foot, and to the left and to the
right, put a star; this indicating the attaining of the
entity in those experiences.
Upon the left put the symbol of Jupiter, with the characters
about same of Aries, - these small and black.
Upon the right side put the sign of Venus (this is the same,
of course, as below - but here a different color), and about
same the symbols of Sagittarius, four in number small and
black. Jupiter and Venus would be depicted as reddish; not
red, but reddish, streaked with the pink and white.
In these is indicated the place, the activity, the attaining,
and the manners in which there was the attaining.
Above this, in the center, put a small church; white, with a
spire, and with a bell indicated in same, this not too large.
Upon the left side of this - as out of the mist put a figure,
as out of the mist, or to depict the experiences of the
entity in that sojourn. These colors would be gray with
white, and the figure would be a mere outline - as of a
shadow; not as of a body but as a figure.
Upon the right of the church, at a little distance to balance
same, put three cherub faces as turned towards one another, -
surrounded by a cloud, darkened in the outer edge, light
toward the faces themselves.
On the left put the sign of Mars, reddish in its color;
with the symbol of Scorpio indicating the activity, four
in number, small and black.
Upon the right put the symbol or sign of Uranus; half white,
half nearly red; and the character symbolizing the activity
would be Libra, - small, four in number about same.
The central figure above, indicating that to which the entity
may attain, would be the open book - as written in gold -
Holy Bible.
Above same would be the cross, with two figures as of
cherubims; not angels, but cherubims. The character of the
face and the manner in which they should appear may be found
in the description of the cherubims over the ark of the
covenant. Upon each side from these put the cross, - this
heavy - or balanced as to size and face of same.
And over all would be the clouds, indicating the book, the
promise, and that as lay in the Cross.
This is the seal, this is the aura chart of the entity,
[
585].
We are through for the present.
Copy to Self
Copy to Miss Wynne
Copy to Ass'n file
BACKGROUND
See
585-1 on
9/14/32, a Mental-Spiritual Rdg., and
585-2,
her Life Rdg., on
6/15/34, and subsequent Reports.
REPORTS
11/52 Report: "Miss Esther Wynne painted the aura chart for
me. It is hanging in my room. I like to study and gaze at
it; it does something to me; like a reminder, beckoning me on
- just inexplainable."