Above this put a long insert; not in an oval, but vignetted;
this being a panorama of the Egyptian experience (not given;
and, taking that application of self in the present, if
certain factors become a part, [See
845-9 on
2/20/43.
Evidently this statement referred to her recent close
association beginning with Mr. [
416], who had been her
husband, Prince of Nubia, during the Ra-Ta period in Egypt.]
it would be well sometime to ask about same). Here the
colors would be not too brilliant and yet not so subdued as
to tone the drawing too low.
To the left put a portion of a desert, but with birds flying
in the atmosphere. Then put in the distance small figures of
the sphinx, a small pyramid, and an altar - as of the altars
of the Temple Beautiful and the Temple of Sacrifice, but not
these edifices or even representatives of same; then the Nile
with the palm trees and grasses; then a caravan with several
camels (several here meaning at least three, but these in the
distance, and one being led and one with - or others with -
riders on same).
This would indicate an experience as of coming into a greater
consciousness, and may be materialized in the experience of
the entity.
Just above this also, as below, there would be a pyramid of
stars, indicating the associations with the Atlantean and
Incal experience.
Above this put a figure indicating a soldier, as a sheik or
Arab, - this upon the left side.
The central figure would be a small one, indicating the sun
just rising over a town or city - as might be viewed by this
soldier.
Upon the right side (and this figure also as viewing the
city) put a maiden, in oriental dress, quite colorful.
This would indicate the experience in Persia, the 'city in
the hills and the plains,' and the activities there.
In the left side put the symbol of Jupiter, in gray and
purple; while the symbols about same would be of Scorpio.
Upon the right put the symbol of Mercury, in gray and gold -
or golden; with the symbols about same of Leo.
These indicate the manners in which there were the variations
as to purposes, attainments, and what the experience in same
made for the entity.
Above this, upon the left side of the central figure, put two
men bearing the banner of Rome; one carrying a shield, the
other the axe, but the Roman axe, and the standard being held
by each - or one's left hand and the other's right hand upon
the staff of the standard. The colors here would be gray and
white, as the armor of the period, - not a dirty gray but not
a white-white either.
In the center put the figure as of the Mother and Child in
the Manger, or the Mother BY the Manger; with the light and
halo that would naturally come in illustrating the birth of
truth, of love, in the earth.
Upon the right side put two figures holding the standard of
the Christ, - a white standard, with the shield on same -
diagonally across - of white and gold. Neither of these
figures would be indicated as bearing arms, but having
scrolls held in the other hand. They would be dressed in
sandals and robes, one white, the other light blue; both with
bands about the head having the symbol of the fish on same -
this should be delicately done, but in gold, though not to
become too officious or prominent in the drawing.
Upon the left side put the sign of Venus, in gray and blue,
with the symbols about same of Saggitarius.
Upon the right put the symbol also of Venus, white and gold;
with the symbols about same of Pisces.
These would indicate the entity's walking the way through
that experience.
Above this the central figure would indicate the landing upon
the island in the Jamestown experience. Thus the figures,
the dress would indicate those landing; and should be
represented in the foreground by at least several figures. A
boat would be in the background, from which the landing is
made; and cabins or huts being builded by other figures. The
forest should be represented in color, - birds, animals, but
more the domesticated. This would indicate the domestication
in the experience.
The interpretation of same would be indicated by Uranus on
the left side, for the extremes came. This would be in dark
gray, blue, and then gold; and the symbols about same of
Pisces - indicated by the twins, rather than the small
figure.
Upon the right put the symbol of Venus again, in green, gray
and blue; with the signs about same again of Leo.
That to which the entity may attain:
Set in the center a cloud, over-shadowing all with the white
light, the gold shading under same; and the cross in the
cloud, with His Star. This would be a central figure just
below the cross, as of a sun - but within the sun, and
sufficient space between the outer rim of the sun and the
star. The star should be indicated in blue, then the white
from same; this spreading all through - even the figures to
the Egyptian experience - as rays.
Then to the left put the four phases of the moon, and these
filled with stars between same; crowded about same.
To the right put the four phases of the moon, colorful with
the stars between same; at least seven stars upon either
side; these in gold but varying as to their size.
These indicate the world and its pleasures ever present, but
His star, His cross leads to attainment in Him.
This is the aura chart of [
845].
We are through for the present.
Copy to Self
Copy to Ass'n file
Copy to Esther Wynne
BACKGROUND
See
845-1, 845-4 and
845-6, especially.
8/26/41 EC read her aura - see under
5746-1 Reports.
REPORTS
2/20/43 See
845-9, Ck. Life on her Egyptian incarnation,
indicating she had been the queen to the Nubian prince [
416].
GD's note: Mrs. [
845] had Esther Wynne "do" an Aura Chart
for Mr. [
416] from his Life Rdg. [See 416-1]. She kept this
painting side by side with her own in her bedroom until her
death in Feb. '62. Then the originals of both paintings
were given to A.R.E. by Mrs. [
845]'s sister, Mrs. [
413] at
the suggestion of Mr. [
416].
