GC: You will have before you the entity [
2390], born August
24, 1910, in Marietta, Georgia. You will give an aura
chart of the entity, indicating the symbols, colors, and the
meaning of each, that they may be made into a drawing that
would be of help to the entity.
EC: Yes, we have the records here of that entity now known
as or called [
2390].
In giving an aura chart, the records are attempted to be
interpreted from the experiences of an entity in the material
plane; indicating in the center the picturization of what is
the high point in the unfoldment or awareness of an entity
in the period, and indicating by the signs and symbols the
manner in which such activities influenced the entity.
For this entity, then:
In the center at the bottom put a pool of water; not too
pretty a pool, but indicate a lotus flower - in white -
coming from the muck and mud of such a pool. Two faces would
be indicated in the blossom, and from same coming the full
figure of an individual, as becoming an individual soul or
entity.
Upon the left side of this put a cross, in white and gold.
(All of these vignetted figures in this design.)
Upon the right side put the anchor, with a cord to same.
And just above this central figure indicate the nude form
of the figure unfolding, but the symbol that is called the
pyramid (and the inverted pyramid) over same. This would
indicate spirit entering matter.
Upon the left side, as the symbol, put Atlantis; this in a
circle and light pink in color, the circle of white.
Upon the right side put the symbol of the earth, the circle
dark gray, while the lines of the symbol would be double,
pink and blue; not too deep either.
These would indicate the place, the manner of activity in
Atlantis, - the earth the blossom, the spirit the face.
Above this the central figure would be a long oval extending
across the whole of the pattern; this not to be vignetted
but outlined. Upon the foreground would be, as the central
figure, would be a maiden seated upon the ground with one
knee raised; with the figure of a man, head resting in the
lap.
As a background for all this, - to the left in the distance
(which would be toward the west) put a small figure of the
mystery of mysteries, and the crescent moon sitting - or
going down.
And in the foreground then, to the right, put the light as of
the early rising sun. In the far distance put - as the small
line - the Temple of Sacrifice and the Temple Beautiful;
stars - and thus a purple-leaden sky with many stars in same;
at least twelve stars, and then HIS star forming a cross in
same. This would be brilliant, - not in the high heavens,
but as arising.
In the right side, balancing the figure on the left, put a
camel; not a dromedary.
The expression upon the face and the dress of the figures
would be representative of the elderly man indicating to the
maiden the coming events in the earth; as the setting of the
worship of planets, the moon or the sun - not arising yet,
but that as indicated by the cross and the twelve stars,
though the cross a star. The stars should be white and gold,
indicating the great unfoldment of the entity in the Egyptian
sojourn, and that attaining force and influence in same.
As to the manner of expression in that experience:
Upon the left put the symbol of Mercury; this in blue and
gold, and the signs about same - four, very small and black
- of Cancer.
Upon the right put the symbol of Venus, in white and gold,
and the small signs about same of Leo; indicating the manner
in which the entity entered into the activities in that
experience.
In the central figure above this would be indicated an
individual ministering to the needs of at least three ill
persons; one bound about the lower limbs, another about the
head, and another to which the entity would be ministering
- as in the giving of a drink from a gourd or a shell. The
positions of these would be indicated in the manners as would
befit the concept of the artist. These all would be dressed
in different colors, though the central figure would be
dressed as the ministering angel to the ill. This would
indicate the place and the high point of the entity's
unfoldment.
On each side of this make a small circle.
In the one upon the left put the letters EL in gold, though
small; not heavy, but long - or longish - letters.
In the one upon the right (which would be the same type of
circle) put the letters DI in gold; not heavy.
As to the symbols:
Upon the left put the sign of Jupiter, in purple and white;
with the small symbols about same, four in number, of Aries,
or the ram.
Upon the right side put the symbol of Saturn, in light green,
gray and white; with the rings, or ring, having more of this
color; and the signs or symbols about same of Pisces.
The central figure above this would be the Upper Chamber, and
the indication of there being pointed out to an individual as
to where the Last Supper was being held; and the Twelve about
the table with the Master in the center. That figure should
follow the picturization of same by Da Vinci. To be sure,
upon the head of the central figure would not be the light
ring but, a little higher, the ring with a heart in same;
this, to be sure, blood red. The dress of the figures
at the table would follow that outline indicated in the
artist's concept of Da Vinci's interpretation of same.
In a small figure to the left (not outlined but vignetted),
put a small ship upon a turbulent sea; this small, with three
figures in same - in the boat.
Upon the right (also vignetted) put a church, or a
congregation inside an edifice, with an exhorter;
and the faces, though very small, expressive.
As to the signs, or manners:
Upon the left put the symbol of Neptune, in gray-green and
pink; with the symbols about same of Libra.
Upon the right put the symbol of Mars, in coral and
gray-green; with the symbols about same of the archer.
These would indicate the place and the period, and the
activities of the entity.
Above this, as the central figure, put a small but distinct
peach orchard in bloom, with a misty figure in same; outlined
as a figure going through same, - white and touches of blue.
Upon the side would be put an open carriage (this to the
left); this in an oval, but the oval up and down, not
longways. In the carriage, horse drawn, would be a figure
with a parasol; indicating laxity and self-indulgence, by
the manner of resting in the carriage.
Upon the right, also in an oval, would be a figure kneeling
at an altar; above same the crucifix, and the light coming as
from the crucifix upon the kneeling figure. Here the figure
would be not in black but dark gray, with the face lifted to
the crucifix.
As to the manners in which there would be indicated the
activity:
On the left put the sign of the earth, but indicated by the
north and south portions of the Western Hemisphere, - this,
to be sure, in a circle. About same would be the symbols of
Sagittarius, small and black.
Upon the right put the moon, full, and the colors of same
would indicate not a laughing face nor yet too stern, but a
full moon - a face in same. The symbols about this would be
Libra, or the balance, or one in one, and one in the other.
In the central figure above this put the facade of a
two-story dwelling, with columns as the front of same, but
sufficient to indicate the entrance; with six steps - seven
steps in all - upon or in front of same; this in white, just
shaded sufficient in the gray to make the outline.
Upon the steps put a small figure looking to the west, and
seeing - as but in vision - the figure indicated, or vision,
of Egypt; this indicating in miniature that central portion
given as the second figure or period for the chart, see?
To the left of same put a triangle. On this put the letter
G, in gold; while the triangle would be in silver and gray.
To the right put a circle with the cross, this heavy - even
for the size circle. This, too, would be in silver and gray,
and the cross gold.
Upon the left put the symbol of Mercury, in white and gold;
while the signs about same would be of Pisces.
Upon the right we would also put the symbol of Mercury, this
in pink and gold; and the symbols about this would be of
Pisces.
These would indicate the place, the experiences, and the
judgments or unfoldments seen in that experience.
As to the attainments:
Here we would put upon either side at the top the cornucopia;
one upon the left, the other upon the right. These would
be emptying towards the figure below. Clouds would be upon
either side, and below to the side - these in touches of
clouded gray, white, gold; with stars in the lower portions
of same upon either side. Indicate at least seven vials, not
stones but vials, pouring from the cornucopia.
Between the cornucopias put the cross, with the all-seeing
eye above same.
This is that to which the entity may attain through the
Christ and the trust in the promises of same.
This is the aura chart of the entity now called [
2390].
We are through for the present.
Copy to Self
Copy to Ass'n file
Copy to Esther Wynne
REPORTS
See Source File Key #2390 for a Polaroid picture of Mrs.
[
2390]'s Aura Chart, re 2390-6. Also see large color print
in A.R.E. Library reference book of Aura Chart Readings.
Edgar Cayce Readings © 1971, 1993, 1994, 1995 by the Edgar Cayce Foundation